Las óleos de todo Constantin Hansen
|
|
|
|
|
|
ID |
Image |
Painting (From A to Z) |
Details |
|
59229 |
|
A company of Danish artists in Rome |
A company of Danish artists in Rome, 1837 |
|
1522 |
|
A Group of Danish Artists in Rome |
1837 Statens Museum for Kunst, Copenhagen |
|
59230 |
|
Hvilende Model |
Hvilende Model, 1839 |
|
1524 |
|
Kronborg Castle |
1834 Statens Museum for Kunst, Copenhagen |
|
1525 |
|
Little Girl with a Cup |
1850 Statens Museum for Kunst, Copenhagen |
|
73481 |
|
Oehlenschlaeger and Tegner |
Date 1866(1866)
Medium Oil painting
cyf |
|
1526 |
|
Portrait of Caroline Sophie Moller |
1830 Statens Museum for Kunst, Copenhagen |
|
72004 |
|
Tegner bekransar Oehlenschlager i Lunds domkyrka |
Tegner bekransar Oehlenschlager i Lunds domkyrka 1829 |
|
41538 |
|
The Artist-s Sisters |
mk164
1826
Nordiska Museet
Stockholm
|
|
1523 |
|
Three Young Girls |
(The Artist's Sisters Alvide, Ida and Henriette)
1827 Statens Museum for Kunst, Copenhagen |
|
|
| Constantin Hansen
|
| Danish
1804-1880
Constantin Hansen Galleries
Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.
|
|
|
|
Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors
|
|
|
